Or Screwy Squirrel? Valiant kicks the stool out from under his tormentor. But as you probably know, not only does Valiant work for toons, but the success of Who Framed Roger Rabbit meant that soon the rest of Hollywood wanted to work for them too. Roger Rabbit was far from the first film to feature cartoons and humans overstepping the, well, color line. By the s, animation technology was good enough for humans to actually share the screen with cartoons, so Gene Kelly could tap dance with Jerry Mouse in Anchors Aweigh Imitators followed, and cartoon-human joint productions became a fruitful genre between the late s and mids. Just like Roger Rabbit , those follow-up productions were tinged with racial messaging, the tension sexual and otherwise between flesh-and-blood and pen-and-ink winking at the danger and thrill of miscegenation. You could say that cartoons have almost always overlapped with human bodies: early animator Max Fleischer invented the rotoscoping technique in , so animators could paint over motion-picture footage to get the most realistic movement possible, frame by frame.
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